SoundCloud has been in a state of flux over the past several years. As the independent – and free – streaming platform grew to be too big for major labels to ignore, pressure from industry giants to remove users’ content and profiles increased, both in frequency and severity. With no legal choice but to comply, SoundCloud found itself stuck between a rock and a hard place when their expansive and vocal user base took issue with the removal of their thoughtfully-curated uploads. Facing criticism and controversy from both sides of the aisle, co-founders Alexander Lijung and Eric Walforss recognized that they needed to amend their business model for the site to escape its state of perennially compounding upheaval.
Billboard reports that in 2014, SoundCloud’s losses totaled to “$41.8 million before income taxes, depreciation, and amortization” – a staggering figure, juxtaposed against their revenue of $19.7 million at that time. With streaming’s newfound role as the dominant medium for the distribution and consumption of recorded music, SoundCloud has had to adapt to survive their growing pains. This adaptation manifested itself with the company forming partnerships with majors, contingent upon their agreement to launch a paid subscription model. After striking deals with Universal, Warner Music Group, and Merlin, SoundCloud has completed their puzzle by establishing a partnership with Sony Music.
SoundCloud’s paid iteration is nigh on the horizon, and though they are now allied with all the necessary parties, their tribulations are perhaps only beginning. By siding with majors and pivoting into the subscription-based streaming industry, SoundCloud is poised to alienate a significant percentage of its extensive user base. Furthermore the platform, which has hitherto faced no major competitors, is now plunging into a pool controlled by Spotify and Apple Music, which boast 30 million and 10 million users, respectively. With Youtube, Amazon, Tidal, and Pandora attempting to enter the pool as well, SoundCloud needs to differentiate its functionality to have a chance at succeeding in its new model.
According to Billboard, SoundCloud purports to have formulated a way to smoothly transition into their new role that will help the company to stand out against competitors while also remaining somewhat true to its current state.
“In a measure aimed straight at the dance music fans and musicians who make up the core of its audience, the company will offer a number of authorized, user-uploaded remixes and DJ sets on both tiers, utilizing innovative contracts that allow it to monetize content from the labels and publishers with which it has struck deals. SoundCloud will scan uploaded music to determine if it includes samples; if it does, any revenue generated will be divided among the relevant copyright holders. (Labels and publishers will still have the option to ask the site to take down music that involves their copyrights.)”
One of the core qualities that has attracted artists and users to adopt SoundCloud as a community was the ease with which they are able to upload and promote remixes. Because of the rampancy of unlicensed remixes that accumulated over time within this model, that same core quality initially made SoundCloud vulnerable to majors. By developing a new method to monetize remixes on the site, SoundCloud aims to satisfy both users and labels, and further set itself apart from other streaming services.
Billboard goes on to note that, while SoundCloud’s plan is admirable, the tenuous concept of need for another streaming service does not necessarily entail that the company’s success will be feasible. Midia Research analyst Mark Mulligan estimates that SoundCloud’s user conversion rates will likely be in the “low single digits…But even a 5 percent conversion rate from SoundCloud’s 175 million users — 8.7 million — would make it a serious player” against competitors. Regardless of SoundCloud’s success in its impending transition, a proper execution of the new model will likely retain the platform’s authenticity. A major label executive that has seen SoundCloud’s paid tier demo told Billboard, “It’s a very organic, user-friendly experience that’s really social…It’s true to the way SoundCloud works now.”
With backing from majors and a newfound vision, the horizon is looking much brighter for the German streaming company. However, they are still far from out of the woods.
Sony Music may have reached a landmark agreement with Soundcloud
SoundCloud may be a paid service within nine months
SoundCloud Pulse released for iOS
TOP TRENDING MUSIC